THE TEXT · ATHARVAVEDA
Hymns discussed in this article
Begin with the verses shown here. Open the other cited hymns to compare their images and aims.
ATHARVAVEDA · BOOK VI IN FOCUS
To compel a woman's love
Nyastikā́ hast thou grown up, my good-fortune maker; a hundred [are] thy forth-stretchers, three and thirty thy down-stretchers. With this thousand-leafed [herb] I make dry thy heart.
Let thy heart dry up on me, then let [thy] mouth dry up; then dry thou up by loving me; then go thou about dry-mouthed.
A conciliator, a love-awakener (?), do thou, O brown, beauteous one, push together; push together both yon woman and me; make [our] heart the same.
As the mouth of one who has not drunk water dries away, so dry thou up by loving me, then go thou about dry-mouthed.
Read the remaining 1 verse of VI.139
As a mongoos, having cut apart, puts together again a snake, so, O powerful [herb], put together the divided of love.
Whitney–Lanman translation as printed (1905) · Read VI.139 at Wikisource ↗
ATHARVAVEDA · BOOK VII ALSO CITED
Against bad dreams
Read comparison hymn VII.100 (105) (1 verse)
I turn away from evil-dreaming, from bad dreaming, from ill-success (ábhūti); I make bráhman my inner [defense]; [I put] away the pains having the aspect of dreams.
Whitney–Lanman translation as printed (1905) · Read VII.100 (105) at Wikisource ↗
ATHARVAVEDA · BOOK XIV ALSO CITED
Marriage ceremonies
Read comparison hymn XIV.1 (64 verses)
By truth is the earth established (ut-stabh); by the sun is the sky established; by righteousness the Ādityas stand; Soma is set (çritá) upon the sky.
By Soma are the Ādityas strong; by Soma is the earth great; likewise in the lap of these asterisms is Soma placed (ā-dhā).
One thinks himself to have drunk Soma when they crush up an herb; what Soma the priests (brahmán) know, of that no earthly man partakes.
When, O Soma, they drink thee ⌊up⌋, then thou fillest thyself up again; Vāyu is Soma's defender; the month is norm (ā́kṛti) of the years (sámā).
Guarded by covering-arrangements, defended by watchmen (?? bárhata), O Soma, thou standest hearing the pressing-stones; no earthly one partakes of thee.
Intention (cítti) was the pillow, sight was the ointment, heaven [and] earth were the coffer (kóça), when Sūryā went to her husband.
The rāíbhī was the parting [song] (?? anudéyī), the nārāçaṅsī́ was the welcoming one (? nyócanī); Sūryā's garment verily was excellent; she goes adorned with song (gā́thā).
The laudations (stóma) were the cross-pieces (?? pratidhí); meter was the kurī́ra, the opaçá; of Sūryā the Açvins were the wooers, Agni was the forerunner.
Soma was the bride-seeker; both Açvins were wooers, when Savitar gave to her husband Sūryā, praising (çaṅs) with her mind.
Mind was her cart; heaven also was [its] canopy; the two draft-oxen were white (çukrá), when Sūryā went to her husband.
Haltered with verse (ṛ́c) and chant (sā́man), thy two oxen went peaceful (? sāmaná); ears were thy (two) wheels; in the sky the wandering track.
Clean were the (two) wheels of thee as thou wentest; out-breathing (vyāná) was the inserted axle; a cart made of mind did Sūryā ascend when going forth to her husband.
The bridal (vahatú) of Sūryā, which Savitar sent off (ava-sṛj), has gone forth; in the Maghās are slain the kine; in the Phalgunīs is the wedding.
When, O Açvins, ye went asking, with your three-wheeled [chariot], to Sūryā's bridal, where was one wheel of yours? where stood ye for pointing out?
When ye went, O lords of beauty, unto the wooing of Sūryā, all the gods assented to that [deed] of yours; Pūshan as son chose a father.
The two wheels of thee, O Sūryā, the priests (brahmán) know seasonably; further, the one wheel that is in secret—that, verily, the enlightened (addhātí) know.
We make offering to Aryaman of good connections, husband-finder; like a gourd from its bond, from here I release, not from yonder.
I release [her] from here, not from yonder; I make her well-bound yonder, that she, O gracious Indra, may be rich in sons, well-portioned.
I release thee from Varuṇa's fetter, with which the very propitious Savitar bound thee; in the lair (yóni) of righteousness, in the world of the well-done, be it pleasant for thee accompanied by the wooer (-sambhalá).
Let Bhaga lead thee hence, grasping thy hand; let the Açvins carry thee forth by a chariot; go to the houses, that thou mayest be housewife; thou, having control, shalt speak unto the council.
Let what is dear succeed (sam-ṛdh) here for thy progeny; watch thou over this house in order to housewife-ship; mingle thy self (tanū́) with this husband; then shalt thou in advanced age speak to the council.
Be ye (two) just here; be not separated; attain your whole lifetime, sporting with sons [and] grandsons, rejoicing, well-homed.
These two move on one after the other by magic; two sporting young ones go about the ocean; the one looks abroad upon all beings; thou, the other, disposing the seasons art born new.
Ever new art thou, being born; sign of the days, thou goest to the apex of the dawns; thou disposest to the gods their share as thou comest; thou extendest, O moon, a long life-time.
Give thou away the çāmulyà; share out goods to the priests (brahmán); it, becoming a walking (padvánt) witchcraft, enters the husband [as] a wife.
It becomes blue-red; [as] witchcraft, infection, it is driven away (?); her relations (jñātí) thrive; her husband is bound in bonds.
Unlovely becomes [his] body, glistening in that evil way, when the husband wraps his own member with the bride's garment.
Carving on, carving open, also cutting over apart; see the forms of Sūryā; them also the priest (brahmán) cleans (çumbh).
Harsh is that, sharp, barbed, poisoned; that is not to be eaten; what priest (brahmán) knows Sūryā, he indeed deserves the bride's [garment].
That priest verily takes this garment, pleasant, well-omened, who goes over the expiation, by whom the wife takes no harm.
Do ye (two) bring together a successful (sámṛddha) portion, speaking right in right-speakings; O Brahmaṇaspati, make the husband shine (ruc) for her; let the wooer (sambhalá) speak this speech agreeably (cā́ru).
May ye be just here; may ye not go away; may ye, O kine, increase this man with progeny; going in beauty, ruddy, with soma-splendor—may all the gods turn (kṛ) your minds hither.
May ye, O kine, enter this man together with progeny; this man minisheth (mī) not the share of the gods; for this man shall Pūshan, and all the Maruts, for this man shall Dhātar, Savitar quicken (sū) you.
Free from thorns, straight, let the roads be by which [our] comrades go a-wooing for us; together with Bhaga, together with Aryaman—let Dhātar unite [us] with splendor.
Both what splendor is placed in dice, and what in strong drink—what splendor, O Açvins, is in kine, with that splendor favor (av) ye this woman.
With what [splendor] the backsides of the courtezan (mahānagnī́), O Açvins, or with what the strong drink, with what the dice were flooded (abhi-sic), with that splendor favor ye this woman.
He who shines (dī) without fuel within the waters, whom the devout (vípra) praise at the sacrifices (adhvará)—O child of the waters, mayest thou give waters rich in honey, with which Indra increased, full of heroism.
Now do I remove (apa-ūh) the glistening seizer (grābhá), body-spoiling; what sheen is excellent, that I draw up (ud-ac).
Let the Brahmans take for her [water] for bathing; let them draw up (?) waters that slay not a hero; let her go about the fire of Aryaman, O Pūshan; father-in-law and brother-in-law are looking on (prati-īkṣ).
Weal be to thee gold, and weal be waters; weal be the post (methí), weal the perforation (tárdman) of the yoke; weal be for thee the waters having a hundred cleansers (-pavítra); for weal, too, mingle thyself with thy husband.
In the hole of the chariot, in the hole of the cart, in the hole of the yoke, O thou of a hundred activities, having thrice purified Apālā, O Indra, thou didst make her sun-skinned.
Hoping for well-willing, offspring, good-fortune, wealth, becoming obedient (ánuvrata) to thy husband, gird thyself in order to immortality.
As the ⌊mighty (? vṛ́ṣā)⌋ river (síndhu) won (? sū) the supremacy of the streams (nadī́), so be thou supreme (samrā́jñī), having gone away to thy husband's home.
Be thou supreme among fathers-in-law, supreme also among brothers-in-law; be thou supreme over sister-in-law, supreme also over mother-in-law.
They (f.) who spun, wove, and who stretched [the web], what divine ones (f.) gave the ends about, let them wrap thee in order to old age; [as] one long-lived put about thee this garment.
They bewail the living one (m.); they lead away the sacrifice (adhvará); the men sent their thoughts after ⌊root dhī...ánu⌋ a long reach (prásiti); what is lovely (vāmá) for the Fathers who came together here; joy to the husbands for embracing the wife.
I maintain for thee, in order to progeny, a pleasant, firm (dhruvá) stone in the lap of the divine earth; stand thou on that, one to be exulted after, of excellent glory; let Savitar make for thee a long life-time.
Wherewith Agni grasped the right hand of this earth, therewith grasp I thy hand; do not stagger in company with me, with both progeny and riches.
Let god Savitar grasp thy hand; let king Soma make thee to have good offspring; let Agni, Jātavedas, make the spouse well-portioned, long-lived, for her husband.
I grasp thy hand in order to good-fortune, that with me as husband thou mayest be long-lived; Bhaga, Aryaman, Savitar, Purandhi ⌊púraṁdhi⌋—the gods have given thee to me in order to housewifeship.
Bhaga hath grasped thy hand; Savitar hath grasped thy hand; thou art [my] spouse by ordinance (dhárman), I thy house-lord.
Be this woman mine, bringing prosperity (pósya); Brihaspati hath given thee to me; in company with me ⌊as husband⌋ do thou live, rich in offspring, a hundred autumns.
Tvashṭar disposed (vi-dhā) the garment for beauty, by direction of Brihaspati, of the poets; therewith let Savitar and Bhaga envelop this woman, like Sūryā, with progeny.
Let Indra-and-Agni, heaven-and-earth, Mātariçvan, Mitra-and-Varuṇa, Bhaga, both Açvins, Brihaspati, the Maruts, the bráhman. Soma, increase this woman with progeny.
Brihaspati first prepared (kḷp) the hairs on the head of Sūryā; with this, O Açvins, do we thoroughly adorn (çubh) this woman for her husband.
This [is] that form in which the young woman (yóṣā) dressed herself; I desire to know with [my] mind the wife (jāyá) moving about; I will go after her with nine-fold (? návagva) comrades: who, knowing, unloosened (vi-cṛt) these fetters?
I loosen (vi-sā) in me the form of her; he verily shall know, seeing the nest of mind; I eat not stolenly; I was freed (ud-muc) by mind, myself untying (çrath) the fetters of Varuṇa.
I release thee from Varuṇa's fetter, with which the very propitious Savitar bound thee; wide space (loká), an easy road here, do I make for thee, O bride (vadhū́), with thy husband.
Raise ye [your weapons]; may ye smite away the demon; set this woman in what is well done; inspired Dhātar found for her a husband; let king Bhaga go in front, foreknowing.
Bhaga fashioned the four feet; Bhaga fashioned the four frame-pieces (? úṣyala); Tvashṭar adorned (piç) the straps (? várdhra) along in the middle; let her be to us of excellent omen.
The well-flowered (sukiṅçuká), all-formed bridal-car (vahatú), golden-colored, well-rolling, well-wheeled, do thou mount, O Sūryā, to the world of the immortal; make thou a bridal -car pleasant to husbands.
Her, not brother-slaying, O Varuṇa; not cattle-slaying, O Brihaspati; not husband-slaying, possessing sons, O Indra—bring [her] for us, O Savitar.
Injure ye not the maiden (kumārī́), ye (two) pillars, on the god-made road; the door of the divine house we make pleasant, a road for the bride.
Let the bráhman be yoked after, the bráhman before, the bráhman at the end, in the middle, the bráhman everywhere; going forward to an impenetrable stronghold of the gods, do thou (f.), propitious, pleasant, bear rule in thy husband's world.
Whitney–Lanman translation as printed (1905) · Read XIV.1 at Wikisource ↗
The plant acts on the heart and mouth
VI.139 begins by addressing a many-leaved plant and asking it to dry a woman's heart. The second verse extends that dryness to her mouth and imagines her wandering after the speaker. These are physical symptoms of deprivation, not a nocturnal vision. The poem repeats the dry-mouth idea in verse 4 through a comparison with a person who has gone without water. It therefore moves through a consistent bodily metaphor: imposed thirst is supposed to become longing. A modern dream dance, by contrast, implies shared movement and perhaps mutual delight. Nothing in the plant verses describes music, dance, or sleep, and their distress should not be quietly turned into a pleasant dream scene.
Its joining image is stranger than a waltz
Verse 3 of VI.139 asks that the pair be pressed together and made of one heart. Verse 5 compares their hoped-for reunion to a mongoose joining a divided snake. Whitney's note cautions that this is not reliable animal behavior; the force lies in the verse's image of two parts becoming one. That abrupt repair follows verses of thirst and wandering. It is not the gentle reciprocity often assumed in a dance. The beloved's choice scarcely appears. Reading the whole five-verse arc shows how the charm turns discomfort into the speaker's desired union, a logic that a modern title must identify rather than conceal.
A dream hymn faces the other direction
Atharvaveda VII.100 (105) actually mentions dreams. Its single verse asks for bad dreams, ill success, and dream-like pains to be sent away. That makes sleep a subject of protective removal, not a stage where the speaker can insert an image into another person's mind. The distinction matters because the presence of a dream word elsewhere in the collection does not license a dream-control reading of VI.139. XIV.1 supplies a different possible association: its wedding sequence can suggest procession and shared social movement, yet it is a public marriage text, not a sleeping dance. Each text has its own audience and aim.
The Dream Dance is a modern scene
“Make a target person dream of dancing with me” and The Dream Dance are original contemporary benefit and working. No cited hymn says that a target will dream of the petitioner, that the dream will feature dancing, or that the dream will be sweet. The ancient evidence offers a coercive plant appeal, a ward against bad dreams, and a wedding narrative. A contemporary reader may prefer the dance as an image for desired closeness, but it remains a new imaginative extension. A dream cannot be taken as proof of another person's consent or affection; the verse-level comparison makes clear that such a guarantee comes from none of these hymns.
WORKED READING
Read the movement, then the sleep
Compare VI.139.2, where the woman is imagined wandering with a dried mouth, with VI.139.5, where the divided snake becomes a picture of rejoining. The motion belongs to enforced longing and repair, not dance steps. Now read VII.100 (105): its single request is to carry bad dreams away from the speaker. A third look at XIV.1's bride journey locates public movement in a wedding. The three readings separate waking compulsion, protected sleep, and communal procession. None provides a verse about two people meeting in a dream ballroom.